Faure: Requiem & Durufle: Requiem Atlanta Symphony Chorus Requiem, Op. 9: V. Pie Jesu Fauré: Requiem – Duruflé: Requiem – Poulenc: Motets. Gabriel Fauré, Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra Faure: Requiem / Durufle: Requiem . Durufle: Requiem, Op. 9: V. Pie Jesu. Maurice Durufle – Requiem: V Pie Jesu. With Yale Glee Club – Jeffrey Douma, Music Director and Elm City Girls Choir – Rebecca Rosenbaum, Music Director.
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The version recorded here would seem the most convincing compromise. He also pursued a career as a teacher of the organ first in Paris and later in Geneva. View all posts by f. The full-orchestra version is scored for 3 flutes 2nd and 3rd doubling piccolo2 oboes 2nd doubling 2nd English hornEnglish horn2 clarinetsbass clarinet2 bassoons4 French horns3 trumpets3 trombonestubatimpanicymbalsbass drumtamtamcelestaharporganand strings violinsviolascellosand double basses.
The opening section opens in sepulchral depths. She spoke for him, and, it must be said, she protected him from the public and was a keeper of his secrets. Throughout the Requiem — and, indeed, over the programme as a whole — the singing of the Vasari Singers is nothing short of superb.
This repertory of liturgical song had become something of a French speciality in the 19th century, and among the scholars working on the chants were a group of Benedictines at the French monastery of Solesmeswho developed a theory of chant rhythm as a free succession of notes of mostly equal value in groups of two and three.
At the time of the commission, he was working on an organ suite using themes from Gregorian chants.
It is the composer’s final revision of the work that is recorded here. The organ part used in the reduced version is different from the organ part used in the version for choir and organ.
He makes a fine impression in both solos, leaving the listener wishing that the role was more substantial. Collegium Musicum of Requjem. Sometimes the musical text was completely respected, the orchestral part intervening only to support or comment on it; sometimes I was simply inspired by it or left it completely, for example in certain developments suggested by the Latin text, notably in the Domine Jesu Christe, the Sanctus and the Libera.
The superb performances of choir and organist are captured in sound of demonstration quality.
The oie movement, Pie Jesu, has the only solo for the mezzo-soprano. Das erforderliche Kontingent war bescheiden: Er graduierte und wurde sodann Organist an der Kirche St.
Retrieved 26 July Notify erquiem of new comments via email. The performance here is well-nigh ideal, smooth and supple — as the music should sound. He was recognized as the greatest organist of his day because he was a brilliant virtuoso player and because of his articles about and contributions to organ design.
At cue 17 in the score track 10, around 3: April Total duration: Requem taught his private organ pupils before they advanced to study with him.
He provided the music that became her career, and she was his foremost interpreter. November im Alter von neunundsiebzig Jahren in Paris. You are commenting using your WordPress.
Here Signum pull out all the stops for not only are we treated to the exquisite voice of Sarah Connolly but the crucial cello obbligato features none other than Robert Cohen. Die dritte und letzte Version des Requiem wurde erst am The Vasari Singers clarify the textures most successfully. Their partnership with the magnificent Jeremy Filsell goes from strength to strength — how many choirs are lucky enough to have as their frequent accompanist someone who is a virtuoso in his own right?
Pie Jesu – Requiem – Duruflé sheet music for Voice, Organ download free in PDF or MIDI
In practice it is rarely possible to assemble the full orchestra, choruses and organ in a church. The alternative, the reduction for solo organ and choirmay prove inadequate in certain parts of the Requiem where the expressive timbre of the strings is needed.
In fact the original scoring, very much in the French fashion, is for two organs — grand orgue and orgue de choeur — but here Jeremy Filsell plays a conflation of the two parts.